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Lord of the Universe (documentary)

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Lord of the Universe

1991 VHS edition
Directed by Top Value Television,
Michael Shamberg
Produced by David Loxton,
Top Value Television
Editing by John. J. Godfrey
Wendy Appel
Distributed by Subtle Communications
Release date(s) February 2, 1974, PBS
November 1, 1991, VHS ed.
Running time 58:27 minutes
Country Flag of the United States United States
Language English
Budget USD$30,000[1]
All Movie Guide profile
IMDb profile

Lord of the Universe is a 1974 satirical documentary film about Guru Maharaj ji, now known as Prem Rawat, at an event in November 1973 at the Houston Astrodome called "Millennium '73". The documentary chronicles Maharaji Ji, his followers and anti-Vietnam War activist Rennie Davis who was a spokesperson of the Divine Light Mission at the time. A counterpoint is presented by Abbie Hoffman who appears as a commentator. It includes interviews with several protagonists, including followers, ex-followers, a mahatma, a born-again Christian, and a Hare Krishna. The production team of Top Value Television produced the documentary, using Portapak video cameras. The TVTV team followed Maharaj Ji across the United States over a period of six weeks, and edited a large amount of tape down to the fifty-eight minute piece. It was the first documentary made on 1/2-inch video tape broadcast nationally, and also the first independent video documentary shown on national public television. Lord of the Universe was first broadcast on PBS on February 2, 1974, and released in a VHS format on November 1, 1991. The documentary was generally well-received, and garnered its TVTV production team the 1974 Alfred I. du Pont/Columbia University Award in Broadcast Journalism. The documentary received a negative review in the New York Post, and positive reviews in The New York Times, Los Angeles Times and the Chicago Sun-Times. The San Francisco Bay Guardian wrote that the TVTV team had improved since their previous work, but wanted them to move on to more challenging subjects.

Contents

Content

The documentary chronicles Guru Maharaj Ji and the Divine Light Mission, his followers and anti-Vietnam War activist Rennie Davis at "Millennium '73", an event held at the Houston Astrodome in November 1973.[2][3][4][5] Rennie Davis, a follower of Guru Maharaj Ji, was one of the spokespersons and speakers at the Millennium '73 event. His speech is featured in the documentary.[6] Abbie Hoffman appears as a commentator in the documentary, and addresses some of the points raised in Davis' speech, stating: "It's rather arrogant of Rennie to say that he has found God and has his Telex number in his wallet."[7] The TVTV crew interviewed different "premies", or followers of Prem Rawat, throughout the film, and one teen-aged boy was quoted as stating: "Before I came to the Guru I was a freak, smoking dope and dropping out - and my parents were happier then than they are with this."[7] In a later part of the film, a loudspeaker voice announces: "Those premies who came in private cars can leave now..Those who came in rented buses can stay and meditate until further notice."[8][7] Adherents of other belief systems also have cameo appearances in the documentary, including a born again Christian who criticizes devotees for "following the devil," and a Hare Krishna follower.[9] A separate storyline is seen concurrently through the coverage of the "Millenium '73" event, involving a man named Michael who has come to Houston, Texas to receive "Knowledge" from Maharaj Ji. Once Michael has received the "Knowledge", he defends the secrecy behind the rituals. Michael's experiences are contrasted in the documentary with interviews with "ex-premies" or former followers of Maharaj Ji, recounting their initiation and later disillusionment with Maharaj Ji's teachings. One of them says after receiving "Knowledge" from Maharaj Ji, he was told that this free gift required lifetime devotion and donations of "worldly goods".[9] Maharaj Ji is shown in a scene in the Astrodome relating a satsang to the attendants. He is seen dressed in gold-colored clothing and a crown, and sits on a platform throne. The story he relates to the crowd involves a young boy who comes to Houston, while searching for a Superman comic book. While seated on the platform, Maharaji Ji is surrounded by flashing moon signs and women wearing decorative garlands, while a band called "Blue Aquarius" plays his theme song.[9] The stage is decorated with glitter and neon lights, and Maharaj Ji's brother performs rock music songs.[10] Abbie Hoffman gives a final comment in the documentary, stating: "If this guy is God, this is the God the United States of America deserves."[9][4][8]

Production

The documentary was produced by Top Value Television (TVTV), and was primarily directed by Michael Shamberg.[11] TVTV had received initial funding for the documentary through a small grant from the Stern Foundation, with an additional promise from the Corporation for Public Broadcasting.[11] David Loxton arranged a post-production budget of USD$4,000, and the total production costs for the documentary amounted to $36,000 - about forty-five percent of the average costs for a PBS film production at the time.[9] Several camera crews used half-inch black and white portapaks, and followed Maharaji and his group across the United States for six weeks.[11][7] The TVTV production team debated whether or not to include the secret techniques of Maharaj Ji in the documentary, and finally decided that it was vital to disclose these practices in the piece.[9] They chose to have an ex-premie divulge these practices rather than use a narration, but were fearful of potential repercussions which never came.[9] TVTV member Tom Weinberg found a man who demonstrated meditation techniques in the documentary, which he described as being the "Knowledge".[9] Producer Megan Williams stated that TVTV crew members empathized with the experiences of Maharaj Ji's followers, because there was very little age difference between them and the TVTV production team. Nevertheless, many in the crew of TVTV felt superior to these "lost souls" describing the followers as "gurunoids".[9] At the end of filming, eighty-two hours of tape were edited to the final fifty-eight minute documentary piece.[11] TVTV's team utilized graphics, live music, and wide angle lens shots.[12] Stop-action sequences where quotations flash on the screen were also used for effect.[7] The production was the first Portapak video documentary made for national television, and the "first program originally made on 1/2-inch video tape to be broadcast nationally."[4][13][14] Lord of the Universe was also: "The first independent video documentary made for national broadcast on public television."[15] The trailer was originally broadcast on WNET Channel Thirteen television.[3] Lord of the Universe was shown to a national audience in the United States on February 2, 1974, broadcast on two-hundred and forty stations of the Public Broadcasting Service.[16][10][11] Later TVTV productions broadcast on public television included Gerald Ford's America, and a 1975 program on Cajuns, The Good Times Are Killing Me.[17] In 1989, the documentary was included in an exhibition at the Whitney Museum of American Art on video art called "Image World: Art and Media Culture."[18] The documentary was re-released to VHS on November 1, 1991, by Subtle Communications.[8] On the packaging it is claimed that Guru Maharaj Ji "promised to levitate the Astrodome".[8] The only reference to this in the video is by a believer who states "I would like to bet anyone who wishes to make some 'green energy' that by November 15, the Houston Astrodome will physically separate from the planet which we call Earth and will fly."[3] Reviewers of the documentary including: TVRO, the University of California, Santa Cruz, and Art Journal repeat this claim in varying forms.[19][20][10] The documentary was screened in August 2006 at The Centre for Contemporary Arts in Glasgow, Scotland, as part of the Camcorder Guerilla cinema programme.[21]

Reception

Back cover of 1991 release VHS, with quotes from 1974 reviews
Back cover of 1991 release VHS, with quotes from 1974 reviews

Awards

The documentary received the 1974 "Alfred I. du Pont/Columbia University Award in Broadcast Journalism" (DuPont Award).[12][4][16] The jurors from the 1974 DuPont-Columbia awards stated that the documentary was: "hectic, hilarious and not a little disquieting. With a heavier and less sure hand, the subject would have been squashed beneath the reporters’ irony or contempt. As it was, cult religion was handed to us, live and quivering, to make of it what we would."[16] The group’s work impressed WNET president John Jay Iselin, and he raised additional funds which helped TVTV to produce five more programs, including Gerald Ford’s America.[1]

Reviews

The documentary received mostly positive reviews, but did receive some criticism in the New York Post, where Bob Williams called it a "deplorable film" and "flat, pointless, television". He wrote: "The hour-long program was remiss in not providing some small examination of the available box-office take of the goofy kid guru, much less telling prospective contributors how it got involved in spending how much of its foundation grants and viewer subscription money in such a questionable venture without more inquisitive journalistic endeavor, or ignoring gurus."[22] Katy Butler writing in the San Francisco Bay Guardian stated that the TVTV style had improved since their previous work, noting: "This show has fewer interjections from TVTV personnel, fewer moments that drag, more technological razzle-dazzle (color footage, slow motion, stop motion, tight and rapid cutting)." However, she also described Guru Maharaji and his entourage as "an easy target," and wrote that "anybody can look like a fool when a smartass wide angle lens distorts their face, and teenage ex-dopers who think a fat boy is God don't stand a chance." Butler wished that TVTV would move on to more challenging subjects for their future work.[23] John J. O'Connor, of The New York Times described TVTV's work as "a terrific documentary," and complimented the team on the visual results of the piece, noting: "After TVTV superbly dissected the guru, his 'holy family' and his followers, more objective viewers might have chosen to laugh, cry, or throw up."[24] Ron Powers of the Chicago Sun Times called the documentary "highly recommended viewing," and described it as: "..both as an example of skeptical, unimpressed (but never vicious) journalism, and as a peek into the future of television...a clever, ironic and eventually devastating documentary."[25] Electronic Arts Intermix described Lord of the Universe as "a forceful expose on the sixteen-year-old Guru Maharaj Ji and the national gathering of his followers at the Houston Astrodome."[4] Dick Adler of the Los Angeles Times also gave the documentary a positive review, writing: "'The Lord of the Universe' doesn't really take sides, which doesn't mean it's a bland hour trying to please everybody. It's considerable bite comes first from the material TVTV so carefully gathered and there from the artfully wise frame in which it chose to present it."[7] Deirdre Boyle wrote in Art Journal that the piece was "the zenith of TVTV's guerrilla-TV style."[10] According to Boyle's Subject to Change: Guerrilla Television Revisited, as in all TVTV tapes, everyone in the documentary comes across as foolish, describing the production's sarcasm as the "ultimate leveler" using equal irony "both with the mighty and the lowly."[9]

Credits

Source [4]

Production Wendy Appel, Skip Blumberg, Bill Bradbury, John Brumage, Steve Christiansen, Paul Goldsmith, Stanton Kaye, John Keeler, Anda Korsts, Harry Mathias, Doug Michels, Tom Morey, Rita Ogden, Tom Richmond, Van Schley, Jodi Sibert, Elon Soltes, Akio Yamaguchi
Editors Wendy Appel, Hudson Marquez, Rita Ogden, Allen Rucker, Michael Shamberg, Elon Soltes
Producer David Loxton. A TVTV production in association with the TV Lab at WNET/Thirteen. also: (Hudson Marquez, Allen Rucker, Michael Shamberg, Tom Weinberg, and Megan Williams)
Supervising Engineer/Videotape Editor John J. Godfrey

See also

Film Portal
Journalism Portal

References

Notes

  1. ^ a b Mella, Leanne. "Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: On Television", Video History Project, 1994, pp. Resources - People Text. Retrieved on 2007-11-08. 
  2. ^ Staff. "Wednesday: Lord of the Universe", The Harvard Crimson, The Harvard Crimson, Inc., Harvard University, July 1, 1974. Retrieved on 2007-11-08. 
  3. ^ a b c Staff. "Video Preview: Lord Of The Universe", MediaBurn Independent Video Archive, 2006 FITV. Retrieved on 2007-11-07. 
  4. ^ a b c d e f Staff. The Lord of the Universe. Electronic Arts Intermix. 1997-2007 Electronic Arts Intermix. Retrieved on 2007-11-08.
  5. ^ "Guru Maharaj Ji", Biography Resource Center, Thomson Gale, Farmington Hills, Michigan, 2007. 
  6. ^ Kent, Dr. Stephen A. (2001). From slogans to mantras: social protest and religious conversion in the late Vietnam war era. Syracuse University, page 52. ISBN Syracuse University. 
  7. ^ a b c d e f Adler, Dick. "TV REVIEW: Videotape Explorers on Trail of a Guru", Los Angeles Times, February 23, 1974, pp. Page B2. 
  8. ^ a b c d Staff. "Distributed by Subtle Communications", Lord of the Universe, VHS, Subtle Communications, 1208 W. Webster, Chicago, Il 60614, November 1, 1991. 
  9. ^ a b c d e f g h i j Boyle, Deirdre (1997). Subject to Change: Guerrilla Television Revisited. Oxford University Press US, "Gaga Over Guru", Pages 76-85.. ISBN 0195110544. 
  10. ^ a b c d Boyle, Deirdre. "Subject to Change", Art Journal, Autumn, 1985, pp. Vol. 45, No. 3, Video: The Reflexive Medium, pp. 228-232. Retrieved on 2007-11-08. 
  11. ^ a b c d e Popkin, Ray (Spring 1975). "What's Light, Quick, Cheap ... and Revolutionary?". Television Quarterly 12 (2): Page 54-57. National Academy of Television Arts and Sciences.
  12. ^ a b Staff. Lord of the Universe. Video Data Bank. Retrieved on 2007-11-07.
  13. ^ Gill, Johanna. "Video: State of the Art", Video History Project, Experimental Television Center, pp. Page 1 of 3. Retrieved on 2007-11-08. 
  14. ^ High, Kathy. "On Reel New York", thirteen WNET New York, WNET. Retrieved on 2007-11-07. 
  15. ^ Boyle, Deirdre (1986). Video Classics: A Guide to Video Art and Documentary Tapes. Oryx Press, Page 70. ISBN 0-897-74102-1. 
  16. ^ a b c Staff. "The Lord of the Universe", DuPont-Columbia Award, Columbia University, The Journalism School, Awarded: 1974, pp. Subject: RELIGION. 
  17. ^ Brown, Les (1992). Les Brown's Encyclopedia of Television. Gale Research, Page 327, 578. ISBN 0-810-38871-5. 
  18. ^ Grundberg, Andy. "Video Is Making Waves in the Art World", The New York Times, The New York Times Company, November 17, 1989. 
  19. ^ Staff. "TVRO: Lord of the Universe (1974)", The New York Times, The New York Times Company. Retrieved on 2007-11-07. 
  20. ^ Staff. "The Lord of the Universe [videorecording : Guru Maharaj Ji / for TVTV]", Cruzcat Catalog, University of California, Santa Cruz. Retrieved on 2007-11-07. 
  21. ^ Staff. "CCA packs in week of films and events; World movies and workshops at art centre.", Evening Times, Newsquest, July 24, 2006, pp. Page 4. 
  22. ^ Wiliams, Bob. "On the Air", New York Post, February 25, 1974. (English) 
  23. ^ Butler, Kay. "Dissecting the Guru on the Tube", San Francisco Bay Guardian, February 28, 1974. 
  24. ^ O'Connor, John J.. "TV: Meditating on Young Guru and His Followers", The New York Times, The New York Times Company, February 25, 1974. 
  25. ^ Powers, Ron. "'Participatory TV Goes to Guru Gala", Chicago Sun Times, March 16, 1974. (English) 

Further reading

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Lord of the Universe (documentary) from Wíkipedia. ©2006 by Wíkipedia. Licensed under the GNU Free Documentation License. View a list of authors or edit this article.

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