A lens mount is an interface — mechanical and often also electrical — between a photographic camera body and a lens. It is confined to cameras where the body allows interchangeable lenses, most usually the single lens reflex type or any movie camera of 16 mm or higher gauge. A lens mount is also found on a lens accessory like a teleconverter or an extension tube, which goes in between a lens and a camera. A lens mount may be a screw-in type, a bayonet-type, or a friction lock type. Modern still camera lens mounts are of the bayonet type, because of the need to have mechanical and electrical contacts in position to meet those on the body. Creating screw threads of the necessary precision, across many camera and lens manufacturers, is too troublesome. Bayonet mounts generally have a number of tabs (often three) around the base of the lens, which fit into appropriately sized recesses in the lens mounting plate on the front of the camera. The tabs are often "keyed" in some way to ensure that the lens is only inserted in one orientation, often by making one tab a different size. Once inserted the lens is fastened by turning it a small amount. It is then locked in place by a spring-loaded pin, which can be operated to remove the lens. Lens mounts of competing manufacturers (Nikon, Canon, Contax/Yashika, Pentax, etc.) are almost always incompatible. Many allege that this is due to the desire of manufacturers to "lock in" consumers to their brand. However, since there are other differences between manufacturers — specifically the flange focal distance from the lens mount to the film or sensor — one would not want to mount a lens which wasn't specifically designed for their type of camera, at least not without an adapter to correct the spacing. In movie cameras, the two most popular mounts in current usage on professional 35 mm cameras are Arri's PL mount and Panavision's PV mount. The Panavision mounts are exclusively used with Panavision lenses, and thus are only available on Panaflex cameras or third-party cameras "Panavised" by a Panavision rental house, whereas the PL mount style is favored with most other cameras and cine lens manufacturers. Both of these mounts are held in place with locating pins and friction locking rings. Other mounts which are now largely historical or a minority in relation to current practices are listed below.
Contents |
List of lens mount types
These types are organized by category; find details in the section that follows.
Stills
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CineIndustrial |
List of lens mounts
This list of lens mounts is ordered by flange focal distance, from shortest to longest. It includes both still photography and movie lens mounts.
| Mount name | Camera type | Mount type | Flange focal distance |
|---|---|---|---|
| D mount | 8 mm movie and CCTV | Screw (0.625 inch × 32 TPI) | 12.29 mm |
| CS mount | 16 mm movie and CCTV | Screw (1 inch × 32 TPI) | 12.52 mm |
| C mount | 16 mm movie and CCTV | Screw (1 inch × 32 TPI) | 17.526 mm (0.69 inches) |
| Canon EX | Camcorder | Bayonet | 20 mm |
| Bolex | 16 mm movie | Breech lock | 23.22 mm |
| Leica M bayonet | 35 mm still | Bayonet | 27.80 mm |
| Canon screw mount | 35 mm still | Screw (M39 × 1 mm) | |
| Leica screw mount | 35 mm still | Screw (M39 × 26 TPI) | 28.80 mm |
| Narcissus | 35 mm still | Screw (M24 × 1 mm) | 28.80 mm |
| Olympus Pen F | 35 mm half-frame still | Bayonet | 28.95 mm |
| Hasselblad Xpan | 35 mm panoramic still | Bayonet | 34.27 mm |
| Four Thirds | digital still | Bayonet | 38.67 mm |
| Aaton universal | 16 mm movie | Breech lock | 40 mm |
| Canon R | 35 mm still | Breech lock | 42 mm |
| Canon FL | 35 mm still | Breech lock | 42 mm |
| Canon FD | 35 mm still | Breech lock | 42 mm |
| Minolta MC/MD | 35 mm still | Bayonet | 43.50 mm |
| Petriflex | 35 mm still | Breech lock | 43.50 mm |
| Canon EF | 35 mm still | Bayonet | 44 mm |
| Canon EF-S | APS-C digital still | Bayonet | 44 mm |
| Sigma SA | 35 mm still | Bayonet | 44 mm |
| Paxette | 35 mm still | Screw (M39×1 mm) | 44 mm |
| Minolta AF | 35 mm still | Bayonet | 44.50 mm |
| Rolleiflex SL35 | 35 mm still | Bayonet | 44.60 mm |
| Exakta, Topcon | 35 mm still | Bayonet | 44.7 mm |
| Pentax K | 35 mm still | Bayonet | 45.46 mm |
| M42 lens mount or Praktika | 35 mm still | Screw (42 mm×1mm) | 45.46 mm |
| Olympus OM | 35 mm still | Bayonet | 46 mm |
| Yashica/Contax | 35 mm still | Bayonet | 45.50 mm |
| Nikon F-mount | 35 mm still | Bayonet | 46.5 mm |
| Leica R | 35 mm still | Bayonet | 47 mm |
| Praktina | 35 mm still | Breech lock | 50 mm |
| Arri standard | 35 mm and 16 mm movie | Tab lock | 52 mm |
| Arri bayonet | 35 mm and 16 mm movie | Bayonet | 52 mm |
| Arri PL | 35 mm and 16 mm movie | Breech lock | 52 mm |
| T-mount or T-thread | 35 mm still | Screw (M42×0.75) | 55 mm |
| PV mount | 35 mm movie | Breech lock | 57.15 mm |
| BNCR mount | 35 mm movie | Breech lock | 61.468 mm |
| Mamiya 645 | Medium format | Bayonet | 63.30 mm |
| Leitz Visoflex II/III | 35 mm still | Bayonet (Leica M) | 68.80 mm |
| Pentax 645 | Medium format still | Bayonet | 70.87 mm |
| Pentacon Six | Medium format still | Breech lock | 74.10 mm |
| Pentax 6x7 | Medium format still | Bayonet | 84.95 mm |
| Leitz Visoflex I | 35 mm still | Screw (M39×26 TPI) | 91.30 mm |
| Mamiya RZ | Medium format still | Bayonet | 105 mm |
| Mamiya RB | Medium format still | Bayonet | 112 mm |
| Mamiya 7/7II | Medium format still | Bayonet | ~60 mm ??? |
| Kowa Six/Super 66 | Medium format still | breech lock | 79 mm |
| Hasselblad | Medium format still | Bayonet | 74.9 mm |
| Bronica S2A | Medium format still | Bayonet & 57×1 thread | 101.7 mm |
| Rolleiflex SL66 | Medium format still | Bayonet | 102.8 mm |
References
- Markerink, Willem-Jan. Camera mounts & registers.
