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Joy (album)

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Joy

Studio album by The Skids

Released

1981

Recorded

Britannia Row Studios

Genre

Rock/electronic folk

Length

46:51

Label

Virgin

Producer

Russell Webb

Professional reviews

All Music Guide link

The Skids chronology

The Absolute Game
(1980)

Joy
(1981)

Joy is the final album by the Scottish band The Skids. It was the fourth studio record and their first after the departure of signature guitarist Stuart Adamson, who then founded Big Country. As such, it represented a change of direction from rock to folk music, amplifying the traditional Scottish element already hinted at in previous releases. The band line-up featured Richard Jobson and Russell Webb, with J. J. Johnson (drums / percussion) & a collection of musical friends. They all went to Britannia Row Studios in London for rehearsals and song development. Sessions in July 1981 led to the release of the first single from the upcoming album. Fields (Virgin VS-401) was released in August 1981. It featured Billy MacKenzie (vocals), and Alan Rankine (guitar), and thus is of interest to fans of The Associates. Also guesting, early in her career, was Virginia Astley, (flute and vocals). The strummed guitar and marching band elements (bagpipe emulation, percussion) signalled a change in direction, though the rabble-rousing melody and football pitch vocal delivery were standard Skids fare. Sessions continued through September 1981 and produced a second single, the harmonically rich Iona (named for the Scottish island). Released in October 1981 (as Virgin VS-449) this was the last The Skids track to feature Adamson, alongside Mike Oldfield. At 3:24 the single edit is significantly shorter than the epic to be found on the album. The eleven track Joy was issued November 1981 (as Virgin V-2217). It marks a concerted effort to update traditional Scottish music into the age of modern rock recordings. The sound is fundamentally more pastoral than previous Skids efforts. Gone are the layers of harmonically treated electric guitar. However, elements of this style were hinted at previously, particularly on the "Strength Through Joy" mini-album. The lyrical concerns of strife, war and brotherhood are Jobson staples. With Paul Wishart on saxophone, "And the Band Played Waltzing Matilda" is a cover of the song by Eric Bogle. Though the band recorded a BBC Radio 1 session and shot a music video for Iona, promotion problems at Virgin forestalled a tour. With patchy coverage, no live support and a difficult change in musical direction, the record sank without a trace. Critical reception was mixed at best. For example Trouser Press wrote "To call it bad is curt but realistic." However The Guardian greeted it happily. The album bore fruit in several working relationships. For example, Virginia Astley was to record her debut solo releases with Russell Webb and also guests on Jobson's poetry album "The Ballad Of Etiquette". This album is unreleased on CD. Such a release might generate critical reappraisal now that fixed ideas of what a rock band should sound like have been loosened.