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Not What You Meant?  There are 34 definitions for Georg.

Georg Matthias Monn

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Matthias Georg Monn (mostly Mann) (April 9, 1717, ViennaOctober 3, 1750, Vienna) was an Austrian composer, organist and music teacher whose works were fashionned in the transition from the Baroque to Classical period in music. Together with Georg Christoph Wagenseil and Josef Starzer, Monn formed the Viennese Pre-Classical movement (Wiener Vorklassik in German), whose composers are nowadays mostly known only by their names. However, his successful introduction of the secondary theme in the symphony was an important condition for the First Viennese School that would come some fifty years later.

Contents

Life

We know much less about Monn's life than about his musical ideas. Only his appointments as an organist are known, at first in Klosterneuburg near Vienna. Afterwards, he was appointed in the same function in Melk in Lower Austria and at the Karlskirche in Vienna's district Wieden. Monn died from tuberculosis when he was only 33 years old. Monn's brother Johann Christoph Mann (never Monn 1726?-82) was also a composer whose works have been confused at times with those of Georg Matthias Monn.[1] The reason for this is that most of Monn's compositions only survive in copies from the 1780s and could therefore also be the works of his younger brother. We still have absolutely no proof that the Johann Georg Mann born in 1717 is the same person as the Georg Matthias Monn who died in 1750. His role as pioneer of the symphony is a scholarly image, coined in the early 20th century, could need some basic musicological revaluation.

From Baroque to Classical

Together with Georg Christoph Wagenseil and other contemporaries such as Leopold Mozart, Monn forms a school of Austrian composers who had thoroughly studied the principles of counterpoint as practised by Johann Sebastian Bach and Johann Joseph Fux, but also forced the change from the Baroque style to the looser, graceful Galante music. Moreover, they renewed the sonata form by expanding the concepts of secondary theme and development. Later on, Michael and Joseph Haydn would develop these concepts to a high point. The catalog of works written by Matthias Monn contains sixteen symphonies, a score of quartets, sonatas, masses and compositions for violin and keyboard. A harpsichord concerto by Monn was transcribed by Arnold Schoenberg into a cello concerto for Pablo Casals. The Monn/Schoenberg cello concerto in G minor has been recorded by Jacqueline Du Pré and many other cellists.

List of works

  • Sixteen symphonies[2] including
    • Symphony in G major
    • Symphony in B major
    • Symphony in F major
  • Six Quartets[2] including a Quartet in B major
  • Keyboard concerto in D major
  • Harpsichord concerto in G minor
  • Cello concerto in G minor (transcribed from Monn's harpsichord concerto by Arnold Schoenberg)
  • Sonata in G minor

External links

  1. ^ Article on Georg Monn. Grove Powered by Gramophone. Retrieved on 2007-11-20.
  2. ^ a b Kaiser-Kaplaner, Mag. Johannes. Matthias Georg Monn (Komponist). Komponisten (ABC). Retrieved on 2007-11-20.
  • Kenneth Emanuel Rudolf (1982). "The Symphonies of Georg Mathias Monn: 1717-1750". University of Michigan at Ann Arbor. Retrieved on 2007-11-20.
  • Matthias Georg Monn in the Grove Concise Dictionary of Music, published in 1994 by Oxford University Press.

All the following links are in German.

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Georg Matthias Monn from Wíkipedia. ©2006 by Wíkipedia. Licensed under the GNU Free Documentation License. View a list of authors or edit this article.

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