| diana | |||||
|---|---|---|---|---|---|
 |
|||||
| Studio album by Diana Ross | |||||
| Released | May 22, 1980 | ||||
| Recorded | 1979-1980 | ||||
| Genre | R&B/funk/disco | ||||
| Length | 34:14 | ||||
| Label | Motown 5155 |
||||
| Producer | Bernard Edwards & Nile Rodgers | ||||
| Professional reviews | |||||
| Diana Ross chronology | |||||
|
|||||
Diana is a 1980 album by American R&B singer Diana Ross, released on the Motown label. The album was the biggest-selling studio collection of the singer's career. In late-1979, Diana Ross was at a major crossroads in her career. After a dip in her movie career following the critically panned production of "The Wiz", Ross' music career was also at an ebb. Save for the clubs who were playing her old hits with the Supremes, pop and R&B radio paid little attention to Ross' solo recordings. After the moderate success of 1979's The Boss, Ross wanted a fresher sound. One her children could sing and dance to. Enter the hottest R&B production team of the day, Chic masterminds Bernard Edwards & Nile Rodgers, who just happened to have written an album with Aretha Franklin in mind. Franklin had declined the offer and the material, including what was to become a world-wide hit, "Upside Down", was subsequently passed on to Ross.
What proved to be a grueling recording process with the singer was made even longer when Diana abandoned the sessions after her new producers informed her she was singing "under the track" (i.e. flat). Despite turbulence, the album was completed. Reportedly, Diana was anything but pleased with the results. Following an advance preview of the record, to be released in the aftermath of the "anti-disco backlash", an influential New York City disc jockey warned Ross it would end her career. When the master tapes were submitted to Motown, a nervous Diana had resident Motown engineer Russ Terrana remix the album, toning down the funkier elements of Chic's playing, removing extended instrumental passages - and most noticeably, speeding up the tracks to give the singer's voice a brighter, more youthful sound. The remixing of the master tapes and the re-recording of Ross' lead vocals was done without the knowledge or approval of Rodgers and Edwards (in 2003 Universal Music Group issued a deluxe two CD version of diana and included the original "Chic mix" as well as several bonus tracks). When asked to produce Ross' next album Rodgers and Edwards politely declined. Rodgers and Ross were however to collaborate on albums Swept Away and Workin' Overtime later in the Eighties. Released in May 1980, the diana album introduced Ross to a new generation of fans. Reaching #2 on the Billboard 200 album chart and #1 on the Billboard Soul Albums Chart, as well as yielding two Top Ten singles including the #1 single "Upside Down", the album would sell over six million copies in the US alone and be certified platinum within months, and twenty-seven years later it would still remain Ross' bestselling studio album. Diana was one of four albums written and produced by Bernard Edwards and Nile Rodgers in 1980, the other three being Sister Sledge's Love Somebody Today, Sheila and B. Devotion's King of the World including European hit single "Spacer", and Chic's fourth studio album Real People. Following the enormous success of diana which managed to resurrect Ross' music career, and the singles "Endless Love" with Lionel Richie and "It's My Turn", she left Motown after having signed a then-record breaking $20 million deal with RCA Records. The first album for the label was 1981's self-produced Why Do Fools Fall in Love.
Contents |
Track listing
All tracks written by Bernard Edwards and Nile Rodgers.
Side A:
- "Upside Down" – 4:05 (Original mix: - 4:15) Listen
- "Tenderness" – 3:52 (Original mix: - 5:07)
- "Friend to Friend" – 3:19 (Original mix: - 3:18)
- "I'm Coming Out" – 5:25 (Original mix: - 6:00) Listen
Side B:
- "Have Fun (Again)" – 5:57 (Original mix: - 7:08)
- "My Old Piano" – 3:55 (Original mix: - 4:51)Listen
- "Now That You're Gone" – 3:59 (Original mix: - 3:39)
- "Give Up" – 3:45 (Original mix: - 3:59)
Personnel
- Alfa Anderson - vocals
- Fonzi Thornton - vocals
- Luci Martin - vocals
- Michelle Cobbs - vocals
- Bernard Edwards - bass guitar
- Nile Rodgers - guitar
- Tony Thompson - drums
- Andy Schwartz - keyboards
- Raymond Jones - keyboards
- Eddie Daniels - saxophone
- Meco Monardo - trombone
- Bob Milliken - trumpet
- Valerie Haywood (The Chic Strings) - strings
- Cheryl Hong (The Chic Strings) - strings
- Karen Milne (The Chic Strings) - strings
- Gene Orloff - conductor
Production
- Bernard Edwards - producer for Chic Organization Ltd.
- Nile Rodgers - producer for Chic Organization Ltd.
- Bob Clearmountain - engineer proposed side A; tracks 1-4
- Bill Scheniman - engineer proposed side B; tracks 1-4
- James Farber - engineer
- Neil Dorfsman - engineer
- Ralph Osborn - engineer
- Abdoulaye Soumare - assistant engineer
- Jeff Hendrickson - assistant engineer
- Lucy Laurie - assistant engineer
- Peter Robbins - assistant engineer
- Dennis King - mastering
- All songs originally recorded at Power Station in New York. Lead vocal re-recordings: Electric Lady, New York; Motown/Hitsville U.S.A. Studios, Hollywood, California.
- All songs originally mixed at: Power Station, New York. Remixed by Russ Terrana and Diana Ross at Artisan Sound Recorders, Hollywood, California.
- Mastered at Atlantic Studios, N.Y.
References and sources
- "Everybody Dance: Chic and the Politics of Disco", book by Daryl Easlea, Helter Skelter Publishing (24 Oct 2004), ISBN 1-900924-56-0 [1]
- Liner notes, Diana Ross: diana (Deluxe Edition), Universal Music 2003.
- TV interview, Aretha Franklin, Petra Wangler/Musikbyrån SVT Sweden 2000-05-10. [2]
