| Claire Windsor | |
|---|---|
 Claire Windsor, 1926 |
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| Born | April 14 1897 Cawker City, Kansas |
| Died | October 24 1972 (aged 75) Los Angeles, California |
Claire Windsor (April 14, 1897 – October 24, 1972)[1] was a notable film actress of the early silent screen era.
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Early life
Windsor was born Clara Viola Cronk (nicknamed "Ola") in Cawker City, Kansas of Scandinavian heritage. An early marriage to man named William Bowes resulted in the birth of a son but ended soon after in divorce. Claire moved to Seattle, Washington with her parents where she entered and won a beauty contest. On the advice of a friend, Claire moved to California in hopes of making a career as an actress in the new medium of motion pictures. Initially receiving only bit parts, she was soon spotted by Lois Weber, a highly regarded and influential director and producer of silent films for Paramount Pictures. Weber immediately signed Windsor to a contract. Windsor costarred with Louis Calhern in Weber's The Blot (1921).[2]
Career climb
Claire Windsor's film debut was in the 1920 release To Please One Woman which was only a modest success. To promote the nascent starlet, Paramount Pictures often paired Windsor with the newly divorced legendary actor Charlie Chaplin in publicity photographs, leading the tabloid press to give mention to the young actress in print. The publicity paid off; in 1922 the newly formed Western Association of Motion Picture Advertisers (WAMPAS) began their annual WAMPAS Baby Stars awards and named Claire Windsor, along with Bessie Love, Lila Lee, Mary Philbin and Colleen Moore, as the years most promising starlets.[3] That same year Claire signed a contract with Goldwyn Pictures Corporation.[4] In 1923, the former Ola Cronk officially began using the more matinee-friendly Claire Windsor as a moniker. Throughout the 1920s, Windsor established herself as highly regarded leading lady in film. As her career progressed, she was often typecast as the "upscale society girl", often playing the part of a princess, or monied socialite. Critics lauded her elegant fashion sense, and Windsor became a noted trend-setter of 1920s fashion.[5] Windsor was later one of the top stars at the newly amalgamated Metro-Goldwyn-Mayer. Later, at the Tiffany studios, 1925's Souls for Sables was a box-office hit for Windsor.[6]
Personal life and "talkies"
Windsor was frequently romantically linked to her leading male co-stars. She had a well-publicized affair with actor Charles "Buddy" Rogers, and in 1924 married matinee idol Bert Lytell. The couple divorced in 1927, however. Windsor never remarried but a few notable love affairs with men caused minor scandals in the press, including once being sued by the young wife of a Boston broker in an "Alienation of Affections" lawsuit, which the broker's wife contended that Windsor had "stolen her husband".[7] By the late 1920s, Claire Windsor (like so many of her acting peers) found it difficult to transition into talkies. She made several talkies throughout the 1930s but could never recapture the success of her earlier years as a silent screen actress. She had a brief stint on a road tour with Al Jolson in the production of The Wonder Bar and would occasionally take stage parts. In her later years, Windsor devoted herself to painting.[8] Claire Windsor died of a massive heart attack in 1972 at the age of 75 in Los Angeles, California. She was laid to rest at the Forest Lawn Memorial Park cemetery in Glendale, California.[9] For her contribution to the motion picture industry, Claire Windsor was given a star on the legendary Hollywood Walk of Fame at 7021 Hollywood Blvd., in Hollywood, California, U.S..[10]
Filmography
- To Please One Woman (1920)
- What Do Men Want? (1921)
- What's Worth While? (1921)
- The Blot (1921)
- Too Wise Wives (1921)
- Dr. Jim (1921)
- The Raiders (1921)
- Grand Larceny (1922)
- One Clear Call (1922)
- Fools First (1922)
- Rich Men's Wives (1922)
- Brothers Under The Skin (1922)
- The Strangers' Banquet (1922)
- Broken Chains (1922)
- The Eternal Three (1923)
- The Little Church Around The Corner (1923)
- Rupert of Hentzau (1923)
- The Acquittal (1923)
- Nellie, The Beautiful Cloak Model (1924)
- A Son of the Sahara (1924)
- For Sale (1924)
- Souls For Sale (1924)
- The Dixie Handicap (1924)
- Born Rich (1924)
- The Denial (1925)
- Just A Woman (1925)
- The White Desert (1925)
- Souls For Sables (1925)
- Dance Madness (1926}
- Money Talks (1926)
- Tin Hats (1926)
- A Little Journey (1927)
- The Claw (1927)
- The Bugle Call (1927)
- Foreign Devils (1927)
- The Frontiersman (1927)
- Nameless Men (1928)
- Fashion Madness (1928)
- Satan and The Woman (1928)
- Blondes By Choice (1928)
- Grain of Dust (1928)
- Opening Night (1928)
- Domestic Meddlers (1928)
- Captain Lash (1929)
- Midstream (1929)
- Sister To Judas (1933)
- The Constant Woman (1933)
- Self Defense (1933)
- Cross Streets (1934)
- Kiss of Araby (1938)
- Barefoot Boy (1938)
- How Doooo You Do? (1946)
References
- ^ Claire Windsor at IMBD.com
- ^ Silent Era People
- ^ An Encyclopedic Dictionary of Women in Early American Films: 1895-1930 by Denise Lowe. Haworth Press. 2005. ISBN 0789018438]
- ^ Silent Era People
- ^ An Encyclopedic Dictionary of Women in Early American Films: 1895-1930 by Denise Lowe. Haworth Press. 2005. ISBN 0789018438
- ^ Silent Era People
- ^ Claire Windsor: One Fan's Fond Remembrance by Al Bohrer. Classic Images.
- ^ Claire Windsor: One Fan's Fond Remembrance by Al Bohrer. Classic Images.
- ^ Claire Windsor: One Fan's Fond Remembrance by Al Bohrer. Classic Images.
- ^ Hollywood Walk of Fame
