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Charles W. Bartlett

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Prayers at Sunset (Udaipur, India), woodblock print by Charles W. Bartlett, ca. 1919
Prayers at Sunset (Udaipur, India), woodblock print by Charles W. Bartlett, ca. 1919
'Amritsar', color woodblock print by Charles W. Bartlett, 1916
'Amritsar', color woodblock print by Charles W. Bartlett, 1916

Charles W. Bartlett was a British painter and printmaker. He was born on June 1, 1860 in Bridgeport, Dorsetshire in England. He studied metallurgy and worked in that field for several years. At age 23, he enrolled in the Royal Academy in London, where he studied painting and etching. After three years of study in London, he entered the private studio school Académie Julian in Paris, where he studied under Jules Joseph Lefebvre (1836-1911) and Gustave Boulanger (1824-1888). In 1889, he returned to England and married Emily Tate, but shortly thereafter, his wife and infant son died in childbirth. Bartlett then traveled to Europe, spending several productive years in Holland, Brittany and Venice with his friend and fellow artist Frank Brangwyn (1867-1956). Brangwyn is believed to have introduced Bartlett to Japanese prints. Bartlett produced some of his most important early works on the Continent, especially studies of peasants painted in broad areas of color. He was invited to join the Société Nationale des Beaux-Arts in France in 1897. In 1898, he returned to England and married Catherine “Kate” Main. Bartlett returned to the Continent with his second wife, and in 1908, he helped found the Société de la Peinture a l'Eau in Paris. In 1913, with financial backing from his wife's well-to-do family, the Bartletts traveled to Pakistan, India, Ceylon, Indonesia, China, and Japan. He arrived in Japan in 1915, where he met woodblock print publisher Watanabe Shozaburo (1885-1962), who was a major force in early 20th century Japanese art (Shin hanga). In 1916 Watanabe published 21 woodblocks from Bartlett’s designs, including six prints of Japanese landscapes. In 1917, Charles Bartlett and his second wife left Japan for England. However, they stopped off in Hawaii, where they remained—never returning to England. He did visit Japan in 1919, where he created sixteen Shin hanga prints for Watanabe. Anna Rice Cooke (1853-1934), who founded the Honolulu Academy of Arts, became Bartlett’s advocate and patron. In 1928, Bartlett helped to found the Honolulu Printmakers group along with local artists Alexander Samuel MacLeod, John Melville Kelly, and Huc-Mazelet Luquiens. Charles Bartlett died in Hawaii at the age of 79 on April 16, 1940. The Honolulu Academy of Arts holds a large collection of Charles Bartlett’s paintings and prints, and has had three one-person exhibitions of his work:

  • Charles W. Bartlett: Watercolors, Oils and Prints, May 30, 1939 - June 11, 1939.
  • Retrospective Exhibition of Paintings and Sketches by Charles W. Bartlett (1860-1940), February 5, 1946 - March 3, 1946.
  • A Printmaker in Paradise: The Art and Life of Charles W. Bartlett, November 15, 2001 - January 6, 2002.

References

  • Bartlett, Charles W., Catalogue of an Exhibition of Water Colors and Wood Engravings of India, Japan, and the Hawaiian Islands by Charles W. Bartlett, New York, Arthur H. Hahlo & Co., 1919.
  • Forbes, David W., Encounters with Paradise: Views of Hawaii and its People, 1778-1941, Honolulu Academy of Arts, 1992, 206-233.
  • Merritt, Helen and Nanako Yamada, Guide to Modern Japanese Woodblock Prints: 1900-1975, University of Hawaii Press, Honolulu.
  • Miles, Richard and Jennifer Saville, A Printmaker in Paradise, The Art and Life of Charles W. Bartlett, with a catalogue raisonné of etchings and color woodblock prints, Honolulu, Hawaii, Honolulu Academy of Arts, 2001.
  • Stephens, Amy Reigle The New Wave - Twentieth Century Japanese Prints from the Robert O. Muller Collection, Bamboo Publishing Ltd. London and Hotei - Japanese Prints, Leiden

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Charles W. Bartlett from Wíkipedia. ©2006 by Wíkipedia. Licensed under the GNU Free Documentation License. View a list of authors or edit this article.

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