| An Experiment with an Air Pump | |
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| Written by | Shelagh Stephenson |
| Characters | Joseph Fenwick Susannah Fenwick Harriet Fenwick Maria Fenwick Peter Mark Roget Thomas Armstrong Isobel Bridie Ellen Tom Phil Kate |
| Date of premiere | 12 February 1998 |
| Country of origin |  United Kingdom |
| Original language | English |
| Subject | Science & Morality |
| Genre | Drama |
| Setting | A house in Newcastle-Upon-Tyne in 1799 & 1999. |
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| Official site | |
An Experiment with an Air Pump is a play by British playwright Shelagh Stephenson inspired by the painting An Experiment on a Bird in the Air Pump by Joseph Wright. It shared the Peggy Ramsay Award for 1997, was first performed at the Royal Exchange Theatre, Manchester in 1998, and has since been staged by a number of other companies worldwide. It was published in Plays One, a collection of Stephenson's plays published in 2002.
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Plot summary
The plot takes place in the same house in two different time periods divided by the gap of two hundred years (1799 and 1999). The play questions the basic principles of scientific (medical) research, such as the right of the scientist to cross ethical limits - the right to perform disection on the recently deceased (1799) and use of embryos in stem-cell research (1999). Both years are symbolic - they stand at the turns of new centuries and have to face the challenges the new times are about to bring. There will be a great development in medicine in the 19th and of genetics in the 21st centuries. The plays also implicitly deals with gender roles and questions the stereotypes of women scientists. While in 1799, it is the father (Fenwick) who is the enlightened soul and his male friends are also scientists (Armstrong, the physician, and Roget, the to-be-author of the thesaurus), his wife (Susannah) is a stereotypical wife of the time and their two daughters (Maria and Harriet) are expected to be such, too. The decision of one of them to become a scientist leads to disapproval. In 1999, the roles somehow change: Ellen, the wife, is the geneticist, and her husband, Tom, is historian. Ellen's friend, Kate, is also a young genetic researcher. There are also two "uneducated" characters - Isobel, the 1799 maid, and Phil, the handyman. An additional theme of this play involves the ethics of using human life, in any form, for the advancement of science. Though the topic is not specifically discussed in 1799, the characters in 1999 do talk about the issue, though no concrete conclusions are drawn. Besides the general questions about a scientist's responsibilities and limits, the play is a well written detective story. In the modern times, a skeleton is found in the basement. The skipping between the two time periods creates a great deal of suspense - whose corpse is it? Was the person murdered? After Armstrong seduces Isobel, he confesses to Roget that he feigned love for Isobel because then she would agree to have intercourse with him. If she is naked, then he can examine her twisted spine more thoroughly. Isobel overhears and is moved to kill herself by hanging. Armstrong finds her hanging and speeds up the process. The characters in 1799 ring in the new year with the death of Isobel, whereas, the characters in 1999 begin the new millennium leaving their old home, and the certainties it possessed for them, behind.
Characters
Dr. Joseph Fenwick (1799)
Dr. Fenwick is a radical physician who believes that republicanism is the way forwards. He has a fairly cynical view of the world and is a scientist because he "want[s] to change the world".
Susannah Fenwick (1799)
Susannah is the wife of Joseph Fenwick. She is an alcoholic who feels unloved by her husband.
Harriet Fenwick (1799)
Harriet is the daughter of Joseph and Susannah Fenwick and the sister of Maria. She admires her Father but loses her temper easily.
Maria Fenwick (1799)
Maria is also the daughter of Joseph and Susannah Fenwick and is the sister of Harriet. She always wants to be the centre of attention and is in constant competition with Harriet to see who can be the better daughter. She is engaged to a character who is never seen on stage called Edward.
Peter Mark Roget (1799)
Roget is the only character in the play who was a real person and was the creator of Roget's Thesaurus. In the play, he is a character who has moral qualms and is a scientist because he "want[s] to understand the world".
Thomas Armstrong (1799)
Armstrong is a cold, ruthless physician who is particularly interested with the structure of the human body. He is staying with the Fenwick's after Dr. Farleigh (a character never seen on stage) persuades Dr. Fenwick to "take him on for three months".
Isobel Bridie (1799)
Isobel is the maid of the Fenwick household. She is originally from lowland Scotland and has a hump-back. She is a very timid and shy character.
Ellen (1999)
Ellen is a geneticist who is being persuaded to take a job that is being offered to her from Kate's company.
Tom (1999)
Tom is Ellen's husband and is an English lecturer but he has been made redundant. Therefore, he is depressed and has concerns about Ellen's job.
Phil (1999)
Phil is a geordie building surveyor who is surveying Ellen and Tom's house which they are planning to sell. He offers comic relief in the play.
Kate (1999)
Kate is Ellen's friend/colleague who is trying to persuade Ellen to take a job at her company.
Performances
- Royal Exchange Theatre, Manchester, UK (1998)
- Manhattan Theatre Club, New York, NY, US (1999)
- Chicago, US
- Shipping Dock Theatre, Rochester, NY, US (2002)
- Middlebury College, Middlebury, VT, US (2005)
- University of South Dakota, Vermillion, SD, US (2006)
- University of Adelaide, Australia (2007)
- Amarillo College, US (2007)
- Alnwick Playhouse, Northumberland, UK (2007)
- Maddermarket Theatre, Norwich (2007-on now)
- Phillip Lynch Theatre, Lewis University, Romeoville, IL, US (2008-on soon)
