| Music of the United States | |
|---|---|
| History - Education | |
| Colonial era - to the Civil War - During the Civil War - Late 19th century - Early 20th century - 40s and 50s - 60s and 70s - 80s to the present | |
| Genres: Classical - Folk - Popular: Hip hop - Pop - Rock | |
| Awards | Grammy Awards, Country Music Awards |
| Charts | Billboard Music Chart |
| Festivals | Jazz Fest, Lollapalooza, Ozzfest, Monterey Jazz Festival |
| Media | Spin, Rolling Stone, Vibe, Down Beat, Source, MTV, VH1 |
| National anthem | "The Star-Spangled Banner" and forty-eight state songs |
| Ethnic music | |
| Native American - English: old-time and Western music - African American - Irish and Scottish - Latin: Tejano and Puerto Rican - Cajun and Creole - Hawaii - Other immigrants | |
| Local music | |
| AK - AL - AR - AS - AZ - CA - CO - CT - DC - DE - FL - GA - GU - HI - IA - ID - IL - IN - KS - KY - LA - MA - MD - ME - MI - MN - MO - MP - MS - MT - NC - ND - NE - NH - NM - NV - NJ - NY - OH - OK - OR - PA - PR - RI - SC - SD - TN - TX - UT - VA - VI - VT - WA - WI - WV - WY | |
- See also Americana or Americana music
American folk music, also known as Americana, is a broad category of music including Bluegrass, country music, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. The music is considered "American" because it is either native to the United States or there varied enough from its origins that it struck musicologists as something distinctly new; it is considered "roots music" because it served as the basis of music later developed in the United States, including rock and roll, rhythm and blues, and jazz.
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Roots music
Many Roots musicians do not consider themselves to be folk musicians; the main difference between the American folk music revival and American "Roots music" is that Roots music seems to cover a slightly broader range, including blues and country. Roots musical forms reached their most expressive and varied forms in the first two to three decades of the 20th century. The Great Depression and the Dust Bowl were extremely important in disseminating these musical styles to the rest of the country, as Delta blues masters, itinerant honky tonk singers and Latino and Cajun musicians spread to cities like Chicago, Los Angeles and New York. The growth of the recording industry in the same approximate period was also important; increased possible profits from music placed pressure on artists, songwriters and label executives to replicate previous hit songs. This meant that fads like Hawaiian slack-key guitar never died out completely as rhythms or instruments or vocal stylings were incorporated into disparate genres. By the 1950s, all the forms of roots music had led to pop-oriented forms. Folk musicians like the Kingston Trio, pop-Tejano and Cuban-American fusions like boogaloo, chachacha and mambo, blues-derived rock and roll and rockabilly, pop-gospel, doo wop and R&B (later secularized further as soul music) and the Nashville sound in country music all modernized and expanded the musical palette of the country. The roots approach to music emphasizes the diversity of American musical traditions, the genealogy of creative lineages and communities, and the innovative contributions of musicians working in these traditions today. In recent years roots music has been the focus of popular media programs such as Garrison Keillor's public radio program A Prairie Home Companion and the feature film by the same name.
Books
In 2004 NPR published the book titled The NPR Curious Listener's Guide To American folk music[1], Linda Ronstadt wrote the Forward Introduction
Artists and Musicians
Notable roots musicians include John Denver, Woody Guthrie, Son House, Blind Lemon Jefferson, Leadbelly, Hazel Dickens, Maggie Simpson, Mahalia Jackson, Peter, Paul and Mary, Washington Phillips, Fiddlin' John Carson (1868 - 1949), and Jean Ritchie. More recent musicians who occasionally or consistently play roots music include Keb' Mo', Ralph Stanley, Pete Seeger, and Ricky Skaggs.
Film and TV
Additionally, the soundtrack to the 2000 film O Brother, Where Art Thou? is exclusively roots music, performed by Alison Krauss, The Fairfield Four, Emmylou Harris, Norman Blake and others. The 2003 film A Mighty Wind is a tribute to (and parody of) the folk-pop musicians of the early 1960s. American roots music was the subject of a documentary series on PBS in 2001.
References
External links
- Field Recorders Collective Extensive collection of old time, gospel and Cajun music from private collections now made public
- Americana Music Association
- Americana Roots - Americana Music
- Nut hill Productions - Producers of documentary television series, Word of Mouth:The Journey of American Folk Music, scheduled completion Winter, 2007
- HickoryWind.org - Americana, Bluegrass, & Alt Country News, Reviews, & Personality
- Folk Song of the Day
See also
- List of North American folk music traditions
- Folk music
- Country music
- Blues
- Americana
- Traditional music
External links
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| Anti-folk - Celtic music - Counterfolk - Electric folk - Filk music - Folk metal - Folk punk - Folk rock - Folktronica - Neofolk - Nu-folk - Pop folk - Psych folk - Roots revival - Traditional music - Urban Folk - Narodna muzika - Progressive folk |
| Festivals - Folk dance - Folk clubs - Instruments - Protest song - Record labels - Singer-songwriter - Lists of traditions - World music |
| American folk - English folk - Ethnic Macedonian folk - Filipino folk - French folk - Greek folk - Hungarian folk - Icelandic folk - Indian folk - Italian folk - Iranian folk - Turkish folk - Ukrainian folk - Middle Eastern music |
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| African American music • Appalachian/old-time • Blues (Ragtime) • Cajun music • Country (Honky tonk and Bluegrass) • Folk music revival (1950s/'60s) • Jazz (Dixieland) • Native American • Spirituals and Gospel • Swamp pop • Tejano • Zydeco |
