A short story as glaringly brief and simplified as this one is rightly called "minimalist" in its aesthetics (the word aesthetics refers to how the author tells his or her story). It uses the minimum building blocks necessary to accomplish the job of telling a story. Hemingway uses simple diction, usually monosyllabic words of Anglo-Saxon, as opposed to Latin, origin. Grammatically, he uses simple as opposed to complex sentences. There is little figurative language—no metaphor or simile, for example. Character and plot are minimized. These three characters do not even have names. All that happens is that the two waiters talk, the old man drinks, and then they all go home.
It is very clear to the reader what Hemingway does not do in this minimalist short story, but what does he.....
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