Theatre of the Oppressed - Chapter 3, Hegel and Brecht: The Character as Subject or the Character as Object?, The Summary & Analysis

This Study Guide consists of approximately 27 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Theatre of the Oppressed.
Study Guide

Theatre of the Oppressed - Chapter 3, Hegel and Brecht: The Character as Subject or the Character as Object?, The Summary & Analysis

This Study Guide consists of approximately 27 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Theatre of the Oppressed.
This section contains 513 words
(approx. 2 pages at 400 words per page)
Buy the Theatre of the Oppressed Study Guide

Chapter 3, Hegel and Brecht: The Character as Subject or the Character as Object?, The Summary and Analysis

In "The 'Epic' Concept", Boal states that the use of old words in new ways creates misunderstanding about Marxist changes in the theater. Bertolt Brecht used the term epic theater, while Aristotle spoke of epic poetry, which recalls the past in a long form and specific form of verse. Erwin Piscator defined epic as a theater that incorporated multimedia elements to create a sense of the work's reality. Boal says that the term epic is now only applied to films taking place in the open air, with many characters and much combat. Brecht's use of the term is in reaction and opposition to Hegel.

In "Types of Poetry in Hegel", Boal discusses Hegel's concept of...

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This section contains 513 words
(approx. 2 pages at 400 words per page)
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