The play consistently employs dramatic irony, a situation in which one or more characters acts without full knowledge of the facts, but those facts are known by the audience. For example, in act 1, scene 3, the viceroy of Portugal mourns the son he believes to be dead, but the audience knows Balthazar is alive. In act 2, scene 2, when Bel-Imperia and Horatio declare their love for each other, the audience knows that a plot is already in motion to destroy their love. Indeed, in that same scene Lorenzo and Balthazar, unseen watchers, state explicitly what awaits the two lovers. The audience is also aware that after Pedringano has murdered Serberine, the pardon Pedrigano so confidently expects, and on which he bases his words and actions, does not exist.
There is also.....
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