In the following essay on Ana Castillo's novel So Far From God, Roland Walter examines the politics of dislocation and relocation as a "locus of possibility" for Castillo's female characters, who, he argues, relocate their consciousness from separateness to collective, radical mestiza-based consciousness which allows them a strategy of "empowerment and liberation".
In So Far From God Castillo creates communitydefined by Tomas Rivera as "place, values, personal relationships, and conversation" by means of a "speakerly" magico-realist narrative texture. The driving forces of this process are women: women who think, dream, act and relate in what Anzaldua has called a "pluralistic mode," transcending binary oppositions, a rational "dualistic thinking in the individual and collective consciousness," in an effort to heal "the split that originates in the very foundation of our lives, our culture, our.....
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