Hill is the author of a poetry collection, has published widely in literary journals, and is an editor for a university publications department. In the following essay, Hill examines Hoagland's portrayal of American middle-class emptiness and the spirituality of nature—viewed as polar opposites in this poem.

While there may not be a written manual on how to act at a typical contemporary party in suburban America, most party guests seem to have an innate sense of expectations and taboos. Just like the given laws and mores of a society, the common social gathering has its own set of do's and don'ts, such as do glide smoothly from group to group; don't sit in a corner contemplating the artwork on the walls. Breaking the rules can brand one a social outcast or, even worse, unsophisticated. In Hoagland's "Social Life," the speaker decides to take a chance with...