For many years categorized strictly as a writer of science fiction, Vonnegut has a propensity for mixing the ordinary and the otherworldly in his fiction. Structured in "the telegraphic schizophrenic manner of tales of the planet Tralfamadore," Slaughterhouse-Five jumps backward and forward in time, and back and forth across the universe in setting. Snippets of events, seemingly unconnected either chronologically or geographically, follow one another; Vonnegut suggests that the cataclysmic devastation of modern warfare has deadened human sensitivity and that modem technology has.....
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