In the following excerpt, Gordon analyzes the function of the shawl in Ozick's story in terms of concepts drawn from psychoanalysis.
Cynthia Ozick's "The Shawl" (1980) is a Holocaust story about a mother struggling heroically but in vain to save her baby in a death camp. Brief and poetically compressed-two thousand words, Just two pages in its original publication in The New Yorker-it has a shattering impact. Ozick manages to avoid the common pitfalls of Holocaust fiction: on the one hand, she does not sentimentalize, but on the other, she does not numb the reader with a succession of horrifying events. She works largely through metaphor, "indirection and concentration" [according to Joseph Lowin, Cynthia Ozick, 1988]. For example, the words "Jew," "Nazi," "concentration camp," or even "war" are never mentioned; these would arouse the kind.....
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