Of the four "appreciations of individual authors" in which the central argument is the failure of equilibration between some structure of doctrinal thought and the feelings and emotions it once successfully conveyed, perhaps the most graphic—and famous—illustration is "Arnold and Pater." Matthew Arnold, in his extensive writings on the unraveling of ties between Christianity and Culture, was engaged in waging, according to Eliot, a "religious campaign," and the upshot of this succession of field operations was to "affirm that the emotions of Christianity can and must be preserved without the belief," an affirmation whose inevitable consequence was the "divorce" of that special sensibility possessed by "religion," with its heights and depths of feeling and emotion, from its superstructure of doctrinal "thought." One outcome of this resulting imbalance—indeed severence—between emotions and belief where dogma no longer can function adequately to...