If there is an overriding theme in The Seagull, it is that humankind's greatest enemy is time, the relentless enemy of passion and hope. It is a play of hopelessly misplaced love or desire. Many of the characters want love from others who are either indifferent or have emotional commitments elsewhere and are frustrated in their own turn. There are no fortuitous liaisons in the play. Rather, except for the residual and somewhat enigmatic passion that binds Irina Arkadina and Boris Trigorin, the passions of each of the needful characters make them miserable, albeit, at times, comically so.
A theme developed and exploited in much of modern literature is the individual's susceptibility to a sense of isolation and alienation in an environment that is basically inimical to that individual's emotional or mental.....
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