Sculpting in Time: Reflections on the Cinema - Chapter VII Summary & Analysis

This Study Guide consists of approximately 25 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Sculpting in Time.

Sculpting in Time: Reflections on the Cinema - Chapter VII Summary & Analysis

This Study Guide consists of approximately 25 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Sculpting in Time.
This section contains 473 words
(approx. 2 pages at 400 words per page)
Buy the Sculpting in Time: Reflections on the Cinema Study Guide

Chapter VII Summary and Analysis

Film is an emotional reality. The director-artist is capable of creating his own world. It is also an "immediate" art form, like music, in that it can be directly perceived. By contrast, literature conveys meaning through symbols, the words on the paper.

Because cinema is so similar to reality—unlike a painting, which can be said to be "life-like" but would never be mistaken for real people doing real things—cinema is particularly capable of evoking emotion and otherwise affecting people. It can be used for escapism and entertainment as well as spiritual enlightenment. Because of this power, filmmakers have a responsibility to the audience. "Artistic freedom" is a bit of an oxymoron, because the artist is never free; he is beholden to his community.

Tarkovsky estimates that eighty percent of a cinema audience is there for...

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This section contains 473 words
(approx. 2 pages at 400 words per page)
Buy the Sculpting in Time: Reflections on the Cinema Study Guide
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