The most striking and persistent image of the book is certainly that of color and monotone, and of vision in general (with all that the word implies). Part of the reason that the movie version offended those of more delicate sensibility was that it took this central metaphor of the book and turned it into a much more visual presence in the film. The film is shot in black-and-white, mimicking the color-blind world of the Motorcycle Boy, with only the fish, bright red and blue, colored individually onto the screen. The result was either blatant exhibitionism (for those who hated the film) or movie magic (for those who loved it).
The contrast between color and monotone is much more subtly handled in the book. The Motorcycle Boy, that model of perfection in the world of Rumble.....
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