The poem begins with an "apostrophe," an address to an object or spirit. Here, as the title indicates, this address is a prayer to the masks, which appear in the poem both as works of African art and as more general spirits of African culture, society, and history. The poet lists the colors of the masks as black, red, black-and-white, thus also suggesting the reference of the masks as symbols of race and skin color. In the third line, Senghor suggests that these masks are also spirits of nature, linked to the winds that blow from the four directions of north, south, east, and west. As spirits that blow, they also imply that the masks are related to the poet's breath and poetic inspiration. As the fourth line indicates, he greets them with.....
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