An African American soldier in a "strangely unreal" uniform who functions as Pavlo's alter-ego throughout the play. Only Pavlo can see or hear Ardell, and Rabe uses the device of this character to depict Pavlo's extremely confused state of mind. Ardell moves in and out of the fragmented action, creating a mood of expressionism throughout the play. Ardell allows the audience a glimpse into Pavlo's interior character at crucial moments in the play; he also provides a point of transition between scenes. At the close of the first act, Ardell tells Pavlo, "Ain't doin' you no good you wish you dead, 'cause you ain't, man." Ardell transforms Pavlo by putting the latter in his dress uniform and sunglasses, preparing him for his trip home. Similarly, the play ends with Ardell and Pavlo having their.....
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