Kattelman holds a Ph.D. in theatre from Ohio State University. In this essay, Kattelman discusses the various techniques used by Alice Gerstenberg to heighten visual, auditory, and symbolic interest in her play and how these techniques serve to highlight similarities and differences between the characters.

In Overtones, Alice Gerstenberg uses duality, contrast, and juxtaposition to create a piece that is both visually and symbolically intriguing. The play is noted for being the first instance of the use of the dual character, a technique in which two actresses portray different parts of one single woman. In Overtones, the split is a Freudian one, with one actress portraying the id or primitive portion of the character, while the other portrays the socialized and mannered ego. This dual-character technique allows the audience to experience the inner struggle of the subconscious firsthand, and because the character's inner thoughts do not...