Gabriel García Márquez Writing Styles in No One Writes to the Colonel and Other Stories

This Study Guide consists of approximately 55 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of No One Writes to the Colonel and Other Stories.

Gabriel García Márquez Writing Styles in No One Writes to the Colonel and Other Stories

This Study Guide consists of approximately 55 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of No One Writes to the Colonel and Other Stories.
This section contains 1,086 words
(approx. 3 pages at 400 words per page)
Buy the No One Writes to the Colonel and Other Stories Study Guide

Point of View

Each story in the collection is told from the third person point of view – or, more specifically, from one of its variations.

Several stories are told from the third person limited point of view - that is, with subjective narration that excavates the thoughts, actions, and experiences of a central character or protagonist. That central point of view shifts from story to story – in “No One Writes …” the central character is the colonel; in “One of these Days” it is dentist Aurelio; in “… Marvelous Afternoon” it is playful craftsman Balthazar; in “Montiel’s Widow” it is the widow herself; in “Artificial Roses”, it is troubled protagonist Mina. In each of these stories, there are occasional diversions into the inner perspectives of one character or another: ultimately, though, the primary narrative perspective is that of the protagonist.

Another variation on the third person point of view...

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This section contains 1,086 words
(approx. 3 pages at 400 words per page)
Buy the No One Writes to the Colonel and Other Stories Study Guide
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