Source: "Much Ado about Nothing," in The Critical Quarterly, Vol. 3, No.4, Winter, 1961, pp. 319-35.
[In an excerpt from a general essay on Much Ado, Everett illustrates the development by Shakespeare, in his comedies, of certain feelings and attitudes which are a constituent part of his entire dramatic canon, and which tend to be most clearly expressed by the female characters. From Shakespeare's women, the critic argues, come the clearest expressions of humane principle, generous nature, and constancy. ]
Much Ado About Nothing is not, I think, among Shakespeare's most popular comedies. It lacks many of those perpetuating devices that we look for to give us a sense of timeless pleasure, of a "holiday" that is at once a sportive release and also, through lyricism, gives the faintest air of holiday blessedness and calm. It.....
