Middlemarch intertwines three courtship and marriage plots. The courtships of two couples, Dorothea and Casaubon and Rosamond and Lydgate, illustrate how the illusions, impressions, and expectations reached during courtship are shattered by the day-to-day familiarity and difficulties of married life. The initial misconceptions these characters have regarding their partners lead them to project onto their partners the qualities they seek in marriage. Dorothea wants entry into the world of male knowledge, and she sees Casaubon's book project as a worthy cause to serve in her hunger for action that will improve the world. Casaubon seeks a nurse, secretary, and reader, all menial jobs he believes Dorothea can handle. Rosamond seeks wealth and prestige through aristocratic alliance and believes that Lydgate offers the means by which she can be lifted out of the embarrassingly unrefined.....
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