This translation, "The River-Merchant's Wife: A Letter," is structured into 5 stanzas: the first of 6 lines, and the second, third, and fourth of 4 lines each. Each of the first four stanzas is image-centered, focusing an emotional point in the history of the relationship between the river-merchant's wife and her husband. The final stanza of 10 lines and a dropped half-line begins with the presentation of a similar central image that collects an enhancing detail in each line until line 25 shifts into direct emotional statement. The last four lines mix this direct letter-writing style with the final image closing the physical and emotional distance between the river-merchant and his wife.
It was Pound's belief that the pictorial quality of the Chinese ideogram, in its "closeness to the thing itself," had the capacity for raising.....
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