Point of View

The book’s narrative point of view shifts constantly, almost from page to page. The narrative also consists of a series of communications between the various characters, either letters or emails. This stylistic choice means that each time with each shift from correspondent to correspondent, the point of view shifts as well. For example, the first four pieces of correspondence are, in order, from protagonist Harry; from the rabbi with whom Harry is in conflict; from Harry’s estranged son; and from Harry’s ex-wife. This means that the story’s point of view also shifts, to perspectives defined by each character’s experiences, situations, and intentions – that character’s past, present, and future.

Within that constantly shifting point of view, however, there are several thematic similarities that define the book’s overall thematic point of view. The central one of these relates to experiences...