While it is important, the physical setting of Hedda Gabler—the Tesmans' newly purchased villa in Christiania, Norway—is of less importance than the social environment of the time and place. The comfortably furnished house reflects both the class status of the Tesmans and their future expectations. In the first act, Hedda makes it clear that they plan to move beyond mere comfort to new levels of luxury. Her old piano, unsuited for the drawing room decor, must be moved into another room, to be replaced by a second, more elegant piano— at best a frivolous and impractical expense. Hedda wants both the security of respectability and the extravagant lifestyle of the wealthy, something threatened by Lovborg's arrival.
There is a price to be paid, though, a price that makes the villa a kind of prison......
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