The wealth of previous examples of Gothic ghost stories to which Jackson adds her novel reaches back to at least Roman times. Works such as The Castle of Otranto (Walpole; 1765), The Mysteries of Udolph o (Radcliffe; 1794), to some degree Frankenstein (Shelley; 1818) and Dracula (Stoker; 1897), and scores of others form the long tradition in which Jackson is writing.
As Carol Cleveland has perceptively shown, Jackson can.....
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