Visual Arts during the Harlem Renaissance

Visual arts made a strong statement during the Harlem Renaissance, creating images based on newly developed consciousness about heritage and culture. For example, in her article on Harlem Renaissance art and artists in Print, Michele Y. Washington notes that black artists' interest in Egypt as part of Africa and their heritage contributed to many of the motifs in the Art Deco style becoming widespread during the 1920s and 1930s.

Aaron Douglas, one of the period's leading artists, used images of African masks and sculpture in his geometric, Art Deco-style drawings. He served as an apprentice to Winold Reiss, the German artist whose geometric and angular drawings were featured on the original cover of Alain Locke's The New Negro. Douglas became the premier illustrator for the period's magazines and books and also created large murals on the walls of various Harlem nightclubs.

Many...