With the Lawd's renunciation scene, however, a pronounced change takes place in the tone of the play and in the response from the audience. Until the last few scenes, the white, sophisticated audience has been watching—with some amusement, some sympathy, and probably some impatience— the history of "the folk" from the point of view of the Lawd. In another place, I have argued that, in spite of the fact that the Lawd was played by a Negro actor, his character, in part, is based on a stereotype of the "Good White Man," as he sees himself in relationship to the folk. There may be some question as to the validity of that argument, but there is little to the assumption that the Lawd in his renunciation speech reflects the varied attitudes of well-meaning, sympathetic, tired outsiders to the problems and errors of the folk...