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The Great God Brown Historical Context

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Historical Context

The Emergence of the American Theatre

At the end of the nineteenth century, a group of playwrights, which included James A. Herne, Bronson Howard, David Belasco, Augustus Thomas, Clyde Fitch, and William Vaughn Moody, started breaking away from traditional melodramatic forms and themes. Consequently, American theatre began to establish its own identity. These and other playwrights in the early part of the twentieth century were inspired by the dramatic innovations of Henrik Ibsen, August Strindberg, and George Bernard Shaw. During this period, experimental theatre groups made up of dramatists and actors encouraged new innovative American playwrights. In 1914, Lawrence Langner, Helen Westley, Philip Moeller, and Edward Goodman created the Washington Square Players in New York, and playwright Susan Glaspell, in 1915, helped start the Province-town Players in Massachusetts. The most important member of this latter group was Eugene O'Neill, who wrote plays with a uniquely American voice. George H. Jensen...

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This section contains 471 words
(approx. 2 pages at 300 words per page)
Purchase our The Great God Brown Study Guide
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The Great God Brown from BookRags and Gale's For Students Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.
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