Introduction & Overview of The Emperor Jones

This Study Guide consists of approximately 47 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of The Emperor Jones.

Introduction & Overview of The Emperor Jones

This Study Guide consists of approximately 47 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of The Emperor Jones.
This section contains 273 words
(approx. 1 page at 400 words per page)
Buy The Emperor Jones Study Guide

The Emperor Jones Summary & Study Guide Description

The Emperor Jones Summary & Study Guide includes comprehensive information and analysis to help you understand the book. This study guide contains the following sections:

This detailed literature summary also contains Bibliography and a Free Quiz on The Emperor Jones by Eugene O'Neill.

The Emperor Jones was part of an amazing first year for O'Neill as a Broadway playwright. His very first Broadway play, Beyond the Horizon, had appeared in February of 1920 and eventually won him the Pulitzer Prize for drama, but The Emperor Jones was so successful in its Off-Broadway production in November that it moved to Broadway by the end of the same year and became another high-profile success for the newly acclaimed playwright. By 1930, at the end of an astoundingly productive first decade, O'Neill was widely recognized as America's greatest dramatist.

The Emperor Jones was also the first of several experiments with Expressionism for O'Neill. O'Neill found inspiration for Expressionism in the work of Swedish playwright August Strindberg (1849-1912), whose A Dream Play (1902) and The Ghost Sonata (1907) explored and represented on stage complex states of mind, eschewing realistic style and imitating instead the fluid associative structure of human consciousness. After The Emperor Jones, O'Neill used expressionistic techniques most fully in The Hairy Ape (1922) and to some extent in Strange Interlude (1928), where his five-hour play focused on the interior monologue of its main character, Nina Leeds.

The Emperor Jones was also the first American play to offer an racially integrated cast to a Broadway audience and feature a black actor in its leading role. Prior to O'Neill's ground breaking drama, black roles in integrated productions were played by Caucasians in black-face makeup. But O'Neill insisted that black actor Charles Gilpin play Brutus Jones in the Provincetown Playhouse premiere of The Emperor Jones, and a precedent was set that would eventually lead to this country's present level of racial equality in the arts.

Read more from the Study Guide

This section contains 273 words
(approx. 1 page at 400 words per page)
Buy The Emperor Jones Study Guide
Copyrights
Gale
The Emperor Jones from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.