From the time of its debut, the international reception of Death and the Maiden was largely positive, extending Dorfman's reputation as an important writer and intellectual. Reviews of the Broadway production were less enthusiastic, but critics differ on whether the weaknesses were the result of failings in the play, the performances (Glenn Close, Richard Dreyfuss, and Gene Hackman), or the direction of Mike Nichols. English and American audiences lacked the political experience of a recent return to democracy, shared by so many emerging nations in this era, yet the play is easily accessible to them. Matt Wolf wrote in the Times of London that the play was an unlikely success given its topic, but "Dorfman argues that its time is now. 'It clearly has touched some sort of nerve, some sort of centre."' As "a play about the empowerment of women," Death and the Maiden...