In the following essay, Davenport explores how the "same two-eyed vision which brings laughter brings salvation from the prison of self' in The Cocktail Party.
T. S. Eliot's plays, like his poetry, have always inspired critical extremes, few writers have had such loyal disciples or such violent detractors. The Cocktail Party (1949), the first of his post-war comedies, is no exception. Its problematical nature, one feels, is largely the result of Eliot's ambitious attempt to reconcile two seemingly incompatible elements: high moral seriousness and "light" comedy in the Noel Coward Idiom. Thus, much of the discussion of the play has rightly centered on its comedy. In his final chapter to the third edition of Matthiessen's book on Eliot, C. L. Barber draws attention to the importance of the comic tone of the final argument between Edward.....
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