Although she is a successful middle-aged painter, Risley does not have a secure sense of identity or self-worth. In Jon's studio in Toronto, she confesses that sometimes it is all she can do to drag herself out of bed in the morning. On such occasions she feels worthless, and this reminds her of how Cordelia's relentless criticisms used to make her feel as if she was nothing. Only the previous day, Risley saw a poster advertising her retrospective, with a picture of herself on it, and this gave her some satisfaction that she had at least achieved a "public face." But what of the private one? Risley's private self is buried under the weight of repressed memories, and yet memory is the only tool she has to reconstruct who she is and.....
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