In "Don Arturo: A Story of Migration," an essay which originally appeared in Cruz's By Lingual Wholes, Cruz tells the story of Don Arturo, the character who relates the anecdote of the street musician in "Business." A musician himself and somewhat of a Don Juan, Arturo migrated to New York City in 1926 from Cuba. Cruz relates how Arturo seduced the wife of the minister who led the Christian band for which Arturo played guitar. Arturo traveled to the United States with the minister and band and played with them until the Great Depression hit, at which point Cruz writes that Arturo quit the band and became a street musician. In this essay it is clear that the street vendor and musician Don Arturo describes in "Business" is, in fact, himself. Cruz has taken language directly from the poem and used it in his story of Arturo...