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The Boys in the Band Essay | Critical Essay #3

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Critical Essay #3

In the following essay, Carrithers, focusing primarily on the movie version of The Boys in the Band, discusses the concept of the "gaze" in terms of a heterosexual audience and homosexual subjects and argues that the film's gay stereotypes work to the advantage of the heterosexual norm.

Few critics discussing spectatorship or the "gaze" of the spectator address the ways a heterosexual audience might view a film whose primary characters are homosexual. Even fewer of these critics address the ways such films attempt to accommodate these viewers. For a film to be successful, at least financially, it must attract the often larger heterosexual (straight) audience. A work such as The Boys in the Band (dir. William Friedkin), a 1970 Cinema Center Films release, modifies its images of gay sexuality in order to provide a "comfortable" experience for straight viewers. In films such as this one, which feature homosexual sexuality...

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This section contains 5,041 words
(approx. 17 pages at 300 words per page)
Purchase our The Boys in the Band Study Guide
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The Boys in the Band from BookRags and Gale's For Students Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.
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