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Sharon Pollock Writing Styles in Blood Relations

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Style

Dream Thesis

Pollock has labeled Lizzie's re-enactment of the 1892 murder ten years prior as the "dream thesis." The play avoids realism and defies logical time progression. There aren't clear entrances and exits. The actors weave in and out of the present and past. There are three real characters on stage, Lizzie, the Actress, and sister Emma. The others are pulled up from the memories of the 1892 event. This gives the scenes with Borden, his wife, Harry, and Dr. Patrick a hazy, hallucinatory quality; they are the ghosts of Lizzie's memory.

To make these sequences more surreal, the flashbacks are not played in a straightforward fashion. Events from the present, the trial, and the days leading up to the murder are jumbled together— representative of the randomness of dreams and memories. The ambiguity of the play increases when Lizzie proposes playing a game in which the Actress will play...

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This section contains 755 words
(approx. 3 pages at 300 words per page)
Purchase our Blood Relations Study Guide
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Blood Relations from BookRags and Gale's For Students Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.
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