"A critic has no right to the narrowness which is the frequent prerogative of the creative artist. He has to have a wide outlook or he has not anything at all," (pp. 19-20).
"We are to visualize the English novelists not as floating down the stream [of time] ... but as seated together in a room, a circular room, a sort of British museum reading room, all writing their novels simultaneously," (p. 21).
"... those people writing in the circular room ... may decide to write a novel upon the French or the Russian Revolution, but memories, associations, passions, rise up and cloud their objectivity, so that at the close, when they re-read, someone else seems to have been holding their pen ... their self, no doubt, but not the self that is so active in time ...".....
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