[In the excerpt below, Hayles discusses Shakespeare's use of sexual disguise in As You Like It. The critic argues that this device is developed in distinct stages: first, Rosalind assumes layers of disguise for the journey to Arden, then the layers are slowly removed as she gradually renounces the role of Ganymede, and finally they are eliminated altogether when the heroine abandons her disguise to many Orlando. The layering-on movement, Hayles contends, suggests selfish control and creates conflict in the play, while the removal of layers fosters reconciliation. Moreover, the critic remarks, this unlayering allows Rosalind to convey her true personality to Orlando, which ultimately supplants his idealized notion of her. Hayles also explores how Shakespeare extended the pattern of sexual disguise and unlayering to the plays epilogue. ]
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