The decade of the 1970s was one of personal tragedy for Kumin, and defining her work during this period within its cultural or historical context seems to belie the real anguish of its inspiration. The latter part of the period is not remembered as a time of grieving in American history, nor was the country experiencing the social turmoil and violence that had rocked it during the previous decade. Instead, there was disco music and the smiley face, platform shoes and leisure suits, feminism, shopping malls, and Archie Bunker. There was personal analysis instead of social consciousness, and the Watergate scandal in Washington became must-see TV around the nation. In short, the 1970s is remembered as a time when the counterculture became the no-culture.
In spite of the narcissism and triviality that tended to.....
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