Fast is, of course, in the line of the great critical realists with a humanistic bent. The epic sweep of the Immigrant series, its depiction of bourgeois culture against a backdrop of capitalist imperialism and twentieth-century global conflict, is clearly reminiscent of Tolstoy — Dan Lavette reads War and Peace while serving time for a barroom brawl. In the American line, he is clearly indebted to Twain, whom he regards as a model for the popular, realistic novel. He is indebted to Melville for his social message. Hamlin Garland, Sherwood Anderson, and William Dean Howells, whose Rise of Silas Lapham is a model for urban realism, continue the line, although the Western setting brings most clearly to mind Frank Norris and Jack London (who is mentioned many.....
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