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Final Payments | Techniques

This Study Guide consists of approximately 6 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Final Payments.
This section contains 253 words
(approx. 1 page at 300 words per page)
Purchase our Final Payments Short Guide

Final Payments Techniques

Isabel Moore tells her own story, an effective device because the reader perceives her as a reliable narrator. The considerable irony of the story originates with Isabel's clear-eyed understanding of her own emotions, coupled with her inappropriate decisions throughout the story. Gordon successfully draws readers into the story by pushing them to feel anger at Isabel's wrongheadedness. The irony is deepened by Gordon's sharp sense of humor and precision of language. She sharply attacks the feckless behavior of the working-class Irish who Isabel describes as "always defending something, probably something indefensible — the virginity of Mary, the C.I.A. —

which is why their parties always end in fights."

Isabel observes both herself and others with a coldly detached intellect.

Gordon's prose is marked by a stunning use of metaphor. Margaret Casey's ugly coat fits her "like a cheese box."

The zipper of Isabel's skirt when she has gained a gross amount of weight left on her flesh "the marks of small teeth, as if I had been pecked by a bird."

The story is a series of incidents loosely connected without a strong plot. The tension lies in Isabel's accurate perception of the events in her life, and the inability to summon the will to save herself. Isabel's salvation comes, in a theme characteristic of Gordon's work, through her woman friends and Father Mulcahy. He is one of the religious figures, priests or nuns, that appear as minor characters in Gordon's fiction who, despite their human weaknesses, reflect the Christian ideal of...
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This section contains 253 words
(approx. 1 page at 300 words per page)
Purchase our Final Payments Short Guide
Copyrights
Final Payments from Beacham's Encyclopedia of Popular Fiction and Beacham's Guide to Literature for Young Adults. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.
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