As in All Quiet on the Western Front and The Road Back, Remarque uses a simple, direct story line, but in developing the plot of Arch of Triumph he uses the third person point-of-view and focuses upon Ravic and Joan instead of a group of characters. The doomed love affai r between Ravic and Joan mirrors a wider sense of doom as evident in Kate Hegstroem's cancer, Aaron Goldberg's suicide, and the Hotel International's Jewish,.....
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