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This section contains 2,315 words (approx. 8 pages at 300 words per page) |
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In art, architecture, and literature, long-standing definitions of Renaissance style have stressed the importance of the recovery of ancient models and their impact upon the artists and writers of the period. To speak of a "musical Renaissance," however, is more problematic. In the three centuries following 1000 C.E., European composers and musicians had developed distinctive national styles and musical forms that continued to shape the achievements of the Renaissance long after the recovery of Antiquity had begun in other arts during the fourteenth and fifteenth centuries. While knowledge of ancient styles proved often to be crucial for the creation of "Renaissance" paintings, sculptures, and architecture, the application of such
knowledge to music presented a special problem to the scholars, composers, and musicians of the time. The improvisational, performance-based music of Antiquity yielded very few documents or records that could be studied by later generations; as a consequence, Renaissance scholars did not...
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This section contains 2,315 words (approx. 8 pages at 300 words per page) |
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