Literature, Philosophy Of
The concepts of fiction and of literature are distinct. On the one hand, there are nonfictional literary works—essays, memoirs, biographies, histories, writings about nature, and even philosophy. Perhaps we should also include some letter collections, diaries, and journals. On the other, there are nonliterary fictions both within and apart from the world of art. Cinema is full of fictional stories. Paintings represent fictional scenes. Advertising, whatever the medium it employs, often presents us with fictions. However, the concepts of fiction and literature are intertwined.
The paradigmatic literary works have steadily drifted toward being exclusively works of fiction: novels, stories, poems, and plays. When David Hume wanted to make his mark as a man of letters, he chose history and philosophy as his media. By comparison, Jean Paul Sartre made his literary mark with novels and plays while establishing his reputation as a philosopher with the contemporary equivalent of treatises and inquiries. Does this shift in literature's center of gravity reflect something important about it? Is there something about the value of literature that makes fictional works most apt to contain such value or is there perhaps an overlap between the value of fiction and literary value? We will discuss both concepts here, beginning with philosophical issues concerning fiction.
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