Research Article: Hellman, Lillian

SOURCE: Broe, Mary Lynn. "Bohemia Bumps into Calvin: The Deception of Passivity in Lillian Hellman's Drama." In Critical Essays on Lillian Hellman, edited by Mark W. Estrin, pp. 78-90. Boston: G. K. Hall, 1989.

In the following essay, originally published in 1981, Broe examines Hellman's use of passivity in her plays, maintaining that its use often ran counter to the social stereotype associated with female characters.

Her face like a thousand year old siennese mask sheds time in runnels, etched with the vivacity of a life lived passionately and well. Undaunted, she has visited battle fronts during bombings, foraged bayou country for wild duck, scarfed jambalaya and raccoon stew, whisked contraband in a hatbox across the German border. She is as much at home decapitating snapping turtles as she is captivating the world of high fashion clad in a Balmain dress or a Blackgama coat. Her "spit-in-the-eye" rebelliousness can change...
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