Didion, Joan (1934-) Encyclopedia Article

Didion, Joan (1934-)

The following sections of this BookRags Literature Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources.

(c)1998-2002; (c)2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design and Thomson Learning are trademarks used herein under license.

The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". (c)1994-2005, by Walton Beacham.

The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". (c)1994-2005, by Walton Beacham.

All other sections in this Literature Study Guide are owned and copyrighted by BookRags, Inc.

Didion, Joan (1934—)

Joan Didion has proven herself one of the most acute observers of and commentators on American life in the latter half of the twentieth century. Her widely anthologized essays have been required reading for two generations of college students. Combining old-fashioned investigative reporting and New Journalistic subjectivity, she has brought her trademark style and deeply skeptical intelligence to bear on a variety of cultural phenomena, from her own marriage and the rock group the Doors, to the terror in El Salvador, Cuban exiles in Miami, and the Central Park jogger case. Her highly cinematic novels are stylistically and tonally of a piece with her nonfiction and have become increasingly journalistic and more political over the years. Focusing on women who are affluent but adrift, Didion's decidedly pessimistic novels expose not just her characters' self-delusions, but the political and psychological shortcomings of an American Dream gone sour. As such, the novels, along with the essays, give laconic voice to the disillusionment and pessimism that is the other face of the radicalism of the 1960s.

Further Reading:

Felton, Sharon, editor. The Critical Response to Joan Didion. Westport, Connecticut, Greenwood, 1994.

Winchell, Mark Roydon. Joan Didion. Boston, Twayne, 1989.